Well – life has been busy 7 days a week with studio practice, critical studies, walking around Sunderland and just general living!
I live close to the centre of the town and so it is easy to walk to the main shopping mall to pick up most of the things that I need. Ceramic supplies can be ordered from Sedgefield Potteries and they deliver to the National Glass Centre regularly.
I have not yet found my ceramic direction, which is fine as this first module is about experimentation. I’ve made a few things with the different clay bodies, started a completely unrealistic Victorian architecture inspired pot and made my first glass relief. There is so ,much to learn and explore that I have felt quite overwhelmed at times, and in fact last week I went down with an infection. Thankfully this has cleared up due to an NHS treatment and I’m feeling fine again. It most probably did me good to do nothing and rest, as I do have a tendency to go at things with too much enthusiasm sometimes.
Critical Studies has been lively with a review of Modernism, Post-modernism and next week hyper-realism and lots of in-class group discussions. We share this class with the Fine Art and Photography students. A 2000 word essay is due after Christmas, but I’ve not found the time to get started on the research yet…. a last minute effort seems likely.
The studios are shared by all levels in the Glass and Ceramic program and so there is a lot of activity of all kinds. Today I had my first experience in the hot shop as Jim Maskrey the chief glass technician placed hot glass into the plaster mold of my ceramic relief. The mold was first heated overnight to 800º and the glass (1100º) was then placed into the mold as it sat in the kiln. I completely forgot to take photos as I was paying so much attention to what Jim was doing. It looked beautiful to see the hot clear glass glowing internally red/orange as it was placed in the mold. It should finish annealing by Tuesday or Wednesday I hope. Just a wee bit excited…. Jim makes the most beautiful glass work: https://www.vam.ac.uk/articles/antarctic-expedition-by-james-maskrey
The MA will actually be titled MA Glass and Ceramics and so I want to make full use of all the facilities while I can. Based on the pressed fish ceramic relief I quickly did in the spring, I have made 3 Brown Trout stamps that went into a bisque firing today. I’ll press them into clay, make a plaster mold and then make another glass relief. There is an extensive cold shop equipped with all kinds of grinders for refining glass work, so I may be spending some time in there.
The studio/workshops are divided up into personal desk space (BA, MA and PHD), ceramic hand building and wheel work, mold making, ceramic kilns, glass kilns, print shop, cold shop, hot shop and flame working areas. I’ve actually made a clear glass marble…so most probably have the basic skills with which to experiment. But I’m all fingers and thumbs with that skill.
Students are definitely sloppy in their studio clean-up and the wheels aren’t in as good condition as the VIU wheels. But work is achieved non-the less. It is a lively creative atmosphere with so many levels working on different projects. The National Glass Centre also rents studios to practicing artists and so they also use the facilities. There is quite a lot of sharing of information and help from the students and we have a very knowledgeable ceramic/glass technician who is extremely helpful. Learning lots.
Now all I have to do is figure out what I want to accomplish in this year once the experimenting secures some new skills. Only vague ideas at the moment.
This week a fellow student Naomi and I went to the Shipley Gallery to hear the ceramicist Julian Stair give the Henry Rothchild Lecture. What an excellent talk. Here is a link to his website: http://www.julianstair.com/ He spoke at length about his Inquietus project – really important for me to hear what he had to say about his practice. Very inspiring.
Here are a whole stack of mixed photos. I keep forgetting to photograph what I’ve been doing…so not many.
Inspiring glass panel at the Sunderland Museum
Sunderlan Museum – alligator skull
Sunderland Museum – Art Glass
Sunderland Museum – Art Glass detail
Sunderland Museum – pressed glass
Love this brick chair by Colin Whitbourn and wooden coat in the Sunderland Museum
Sculpture by the same artist around the marina
Durham Cathedral. No photos allowed inside unless by special permission for a worthy cause.
Durham Cathedral at night. I visited the cathedral one Saturday with kelsey, a student from New York. We stayed for the evening concert in the cathedral of Mozart’s Requiem. Wonderful
Durham Cathedral and moon
The Sanctuary Knocker at Durham Cathedral. Anyone would by granted 37 days sanctuary if they could hold onto this knocker. At the end of the 37 days they could go into exile of face the accusations
Lots of graffiti around town.
And close by another
Roker beach with the lighthouse in the distance
The light house on the harbour wall entrance
Seagulls behave the same everywhere
Rainbow over the river Wear. The uni residences in the foreground
Traffic and Metro Bridges over the River Wear. I walk over this daily.
Architectural detail
Sydenham and Corder Houses designed by Frank Caws in the Neo-moorish style in the late 1800s. The inspiration for my crazy pot.
Detail of Corder and Sydenham houses
Detail of Corder and Sydenham houses
Detail of Corder and Sydenham houses
Detail of Corder and Sydenham houses
The elephant tea rooms details also by Frank Caws
Elephant Tea rooms above the Royal Bank of Scotland. International style meets Neo-moorish…
Elephant Tea Room dragons
A lovely old door in the law office area
Typical decorative detail from an era of waelth, not standing over dereliction
Meat shop detail
Hebe’s blooming – its mild here
Winter Garden entrance
The Winter Garden roof . The orginal winter garden was destroyed during WW2 and so this new one has replaced it. Full of giant tropical plants and trees.
Winter Garden rood
Winter Garden
Winter Garden fern
My lovely new shoes
Detail from the Winter gardens
The relief inspired by the Winter Gardens visit plus sketchbook
the Winter Garden plaster mold
The beginnings of my Victorian pot…
3 Brown trout waiting for firing
Pinch pot bird made from very heavy grogg clay called Crank, plus my first ever glass marble
Pressed Savoy cabbage leaf into porcelain.
My little men naked reduction fired in a gas film
A porcelain attempt to capture the lovely smile of a man I see most days walking along the river